INFORMATION
PAGE FOR:
INTERMEDIATE THROUGH GRADUATE SCULPTURE
ART 322, 323, 423, 424, 820
IN ORDER TO SUCCESSFULLY COMPLETE YOUR PROJECTS, YOU MUST WORK OUTSIDE
OF REGULAR CLASS TIME.
Once the class meetings utilized
for critiques, lecture/demonstrations, and casting sessions are accounted
for, you have very few "STUDIO DAYS" for your projects.
University policy for Studio Classes is that you should spend
an additional 70 minutes working outside of class per every 140 minute
class meeting.
FALL 2008 CALENDAR
ART 322, 323, 423, 821 Intermediate
through Graduate Sculpture
6:30 PM-8:50 PM T/Tr - Campbell 120
Instructor: E. Carroll Hale II - Office:
Campbell 404
Art & Design 622-1629 - Office
622-1636 –Home 623-7252 – Cell 856-314-1066
| TUESDAY THURSDAY |
| AUG. 26 COURSE INTRO and Set up Advanced Studio & Assign
Lockers |
28 Check individual project listings/programs – check individual
tool inventories |
| SEP 2 STUDIO
|
4 STUDIO |
| 9
STUDIO
|
11 STUDIO |
| 16 STUDIO
|
18 STUDIO |
| 23
PROJECT I DUE -
CRITIQUE
|
25 STUDIO |
| 30 STUDIO
|
OCT
2 STUDIO |
| 0CT 7 STUDIO
|
9 STUDIO |
| 14
STUDIO
|
16 PROJECT
II DUE - CRITIQUE |
| 21 STUDIO
|
23 STUDIO |
| 28 STUDIO
|
30 STUDIO |
| NOV 4 FALL BREAK – HOLIDAY - VOTE
|
6 STUDIO |
| 11 STUDIO
|
13 PROJECT
III DUE - CRITIQUE |
| 18 STUDIO
|
20 STUDIO |
| 25 STUDIO
|
27 THANKSGIVING - HOLIDAY |
| DEC 2 STUDIO
|
4 STUDIO |
| 9 STUDIO
|
11 PROJECT IV DUE - CRITIQUE |
|
FINAL: TUESDAY, 16 December, 6:30 PM- 8:30 PM
FAILURE TO ATTEND THE FINAL WILL RESULT
IN THE ASSIGNMENT OF A FAILING GRADE.
|
N.B.:
Students must be physically present during studio days
FALL 2008 CALENDAR
ART 424 – BFA Sculpture
6:30 PM-8:50 PM T/Tr - Campbell 120
Instructor: E. Carroll Hale II - Office:
Campbell 404
Art & Design 622-1629 - Office
622-1636 –Home 623-7252 – Cell 856-314-1066
| TUESDAY THURSDAY |
| AUG. 26 COURSE INTRO and Set up Advanced Studio & Assign
Lockers |
28 Check individual project listings/programs – check individual
tool inventories |
| SEP 2 STUDIO
|
4 STUDIO |
| 9
STUDIO
|
11 STUDIO |
| 16 STUDIO
|
18 STUDIO |
| 23
PROJECT I DUE - CRITIQUE
|
25 STUDIO |
| 30 STUDIO
|
OCT
2 STUDIO |
| 0CT 7 STUDIO
|
9 STUDIO |
| 14
STUDIO
|
16 PROJECT II DUE - CRITIQUE |
| 21 STUDIO
|
23 STUDIO |
| 28 STUDIO
|
30 STUDIO |
| NOV 4 FALL BREAK – HOLIDAY - VOTE
|
6 STUDIO |
| 11 STUDIO
|
13 PROJECT III DUE – CRITIQUE
Prep for Senior (BFA) Exhibit Complete |
| 18 STUDIO
|
20 STUDIO |
| 25 STUDIO
|
27 THANKSGIVING - HOLIDAY |
| DEC 2 STUDIO
|
4 STUDIO |
| 9 STUDIO
|
11 PROJECT IV DUE - CRITIQUE
Exhibit Review (date may change) |
|
FINAL: TUESDAY, 16 December, 6:30 PM- 8:30 PM
FAILURE TO ATTEND THE FINAL WILL RESULT
IN THE ASSIGNMENT OF A FAILING GRADE.
|
N.B.: Students must be physically present during studio days
NOTES ON EQUIPMENT
FOR:
INTERMEDIATE - ADVANCED - GRADUATE SCULPTURE STUDENTS
If you have questions that aren't answered in these notes, see me.
E. Carroll Hale
By this time in your sculptural career you should have amassed a personal
tool kit. I assume you have (or have immediate access to) common tools
like hammers, pliers, screwdrivers, scissors, putty knives, surforms,
and the like.
I also assume that you know what's generally available as part of the
sculpture studio equipment - and - what's not. Anyone using power equipment
must undergo a safety check first.
TOOL/MATERIAL SOURCES: If you need to get a tool or some materials
there are sources nearby.
Ace Hardware is just a short distance away in the University Shopping
Center - they're open until 9:00 PM on week nights - closed on Sunday.
Lowe's is only a little farther away (next to Wal-Mart) - they're open
until 9:00 PM on week nights and 5:00 Pm on Sunday.
Scott-Gross welding supplies is at 6013 Atwood Drive - Phone: 624-9030.
(Atwood Drive parallels the Martin Bypass. Go to the Honda dealer, turn
in beside it - Greathouse Drive - take the first right - Atwood Drive
- you'll see the Scott Gross sign on your right.) Their hours are 9:00
to 5:00 Mon-Fri.
There are other nearby sources like 84 Lumber or Concrete Materials
Corp.
Some of the more difficult materials to get (plaster, shot sand, stone,
casting wax)are on hand in the studio. You are expected to provide yourself
with commonly available supplies like burlap, galvanized hardware cloth,
nails, screws, glue, and so on. . .
VERY IMPORTANT
You must provide yourself with proper safety equipment and clothing.
You must provide your own earplugs or muffs - eye shields, and respirators
or dust masks. Further, besides having the obvious safety equipment,
you must dress properly for the task at hand. Many projects, for example,
require gloves and hats. If you are engaged in welding, you'll have
to wear proper shoes, long pants, and a long sleeved jacket - this clothing
has to be cotton, wool, or leather because synthetics burn through easily
or melt onto the skin. REMEMBER, SAFETY FIRST!!!
BTW, The studio has some specialty safety equipment like welding helmets
and kevlar foundry gear.
*********************************************************************************
GRADING METHOD FOR SCULPTURE CLASSES
Project/Problem points are awarded based on the following breakdown
(100 points max.available - 40 Problem Solution - 30 Technical - 30
Creative/Aesthetic)
GRADING SCALE
A = 91% ...... B = 81% ...... C = 70% ......D = 60%
The Course (Final) grade is determined by averaging the grades of all
projects
ALL WORK MUST BE COMPLETED OR A FAILING GRADE
WILL RESULT**** NO EXCEPTIONS
AN EXAMPLE OF HOW THE GRADING METHOD IS APPLIED
GUIDELINES - GENERAL ASSIGNMENT (PROBLEM) (General guidelines
are overall directions concerning materials, techniques, dimensions and
general formal concerns.) MAKE AN OPEN FORM USING APPROXIMATELY 20' OF
3/8" ROUND ROD (mild steel). THE OVERALL WORK SHOULD EXPRESS THEMATIC
DEVELOPMENT OF A SINGULAR SHAPE/FORM (student's choice). THE FINISHED
WORK SHOULD BE PAINTED IN MONOCHROME.
GUIDELINES - TECHNICAL - THE WORK MUST BE FREE-STANDING.
THE FINISHED WORK MUST BE AT LEAST 24" IN ONE OR MORE DIMENSIONS. ALL
WELDS SHOULD BE STRUCTURALLY SOUND.
GUIDELINES - CREATIVITY AND AESTHETIC - THE WORK SHOULD
PRESENT A SOLUTION TO THE PROBLEM THAT IS NEW. AVOID OBVIOUS, EVERYDAY
SORTS OF RESPONSES TO THE PROBLEM (THEYARE USUALLY NOT VERY INNOVATIVE).
EXPRESS YOUR INDIVIDUALITY. IF YOUR WORK LOOKS A LOT LIKE MOST OF THE
OTHER WORK IN THE CLASS, CHANCES ARE IT'S NOT PARTICULARLY CREATIVE OR
ORIGINAL.
AESTHETIC - THE WORK MUST BE TRULY THREE-DIMENSIONAL IN ITS
APPEARANCE. THAT IS, IT SHOULD PRESENT A VISUALLY WELL ORGANIZED APPEARANCE
WHEN VIEWED FROM ITS MAJOR ASPECTS. PATINATION OR COLORS (IF ANY) MUST
BE APPROPRIATE TO THE SHAPES/FORMS OF THE WORK.
40 POINTS: SOLUTION OF THE PROBLEM INHERENT IN THE GUIDELINES
Suppose that in evaluation (critique) analysis reveals the following.
The work is made of steel as directed and is made as an open form. Further,
it is painted in monochrome as per the assignment. However, instead of
being based on the development of a singular shape/form the sculpture
is a compilation of unrelated shapes. Such a work might very well be perceived
as pleasing by the casual viewer - HOWEVER, it fails to satisfy a major
part of the assignment's general guidelines and will be graded down! Out
of the 40 points possible, such a mistake would probably result in the
loss of 15 points.. Conversely, if the project actually were a thematic
development of a singular shape/form (as well as satisfying the other
guidelines), it could receive all 40 points.
30 POINTS: TECHNICAL PROFICIENCY (Technical proficiency
refers to how well-made a work is. An alternate term would be craftsmanship.
Parts should be shaped, surfaced, and assembled with appropriate skill.
A work that falls apart, won't stand as it should or is crude where it
shouldn't be is not technically proficient.) If, in critique the work
is found to be structurally sound (the welds all hold), and it meets the
dimensional requirements, but the paint job is messy - there are lots
of runs and drips - (since it is fairly easy to apply paint smoothly this
would be considered poor craftsmanship) it would be appropriate to take
off major points. Clumsy or sloppy work of any sort will severely cut
into the 30 points available to be calculated towards a project grade.
On the other hand, appropriate craftsmanship could get all the available
points.
30 POINTS: CREATIVITY AND AESTHETICS - Creativity (Originality)
is the degree to which the student responds to the assigned problem with
a solution that is fresh and innovative. In art, creativity and innovation
are extremely important. If the steel sculpture that results from this
project presents new and "different" ways of putting forms together
it will be considered "creative", and could receive up to 15
points in this area.
Aesthetics deals with the appropriateness of all elements of a work to
its function. In slang, this might be called "rightness". The degree to
which the art elements work to elicit an appropriate response from the
viewer is the aesthetic effectiveness of an artwork. In judging the finished
work the instructor (critic) makes aesthetic judgements the basis
of how well (appropriately) all the elements that go into the
work relate to one another. Usually the instructor asks himself a number
of questions about the work. For example: Does the color emphasize elements
appropriately, or does it downplay areas that should be emphasized? Is
the overall form appropriate to the medium? How do the elements (parts)
relate, are spatial forces resolved?) If the answers to these questions
are positive, the work is said to be aesthetically successful. Success
in this area could bring another 15 points to the total grade.
N. B., Grading in the area of Creativity/Aesthetics is
at least partially a "judgment call". The instructor relies on his experience
with the world of art generally, and student work particularly.
*******************************************************************************************
Course Syllabus - ART 322 – FALL 2008
INSTRUCTOR: E. Carroll Hale
I. Art 322, Intermediate Sculpture. Three - Six credit hours
II. Prerequisite: Art 321
III. Course Description: Provides an in-depth exploration of sculptural
problems at the intermediate level, developed through problems designed
to fit personal interests. May be retaken to a maximum
of six hours.
IV. Texts and Materials:
No text. The instructor may require supplemental textual material.
Tools and materials/supplies are required as directed by the instructor.
(The tools and materials needed will vary depending
on the nature of student initiated projects.)
V. Objectives - General:
1. To foster a continuing understanding of sculpture at the intermediate
level.
Objectives - Specific:
1. To provide a continuing understanding of sculpture based on the personal
interests of the student.
2. To assist the student in formulating specific problems to these interests'
objectives.
3. To aid the student's continuing development of a critical awareness
of sculpture.
VI. Activities and/or Procedures (in no particular order):
1. The student(s) will, under the direction of the instructor, formulate
a series of sculptural projects relating to their individual interests.
2. A suitable amount of instruction and work time will be provided for
the development of these projects
3. Periodic critiques will be made of the projects as they evolve and
are completed.
VII. Course Calendar: Course calendars will be customized for each semester.
VIII. Course Requirements: Completion of all assignments, tests and quizzes
given is necessary for a passing grade. The student may be required to
attend art exhibits and lectures outside of normal class time. The student
must provide him/herself with materials and equipment as directed by the
instructor. Studio time outside of scheduled class meetings is required.
IX. Attendance Policy: The Art Department's attendance policy is in effect.
Its major provision; 15% absences (excused or not) automatically result
in an "F".
X. Evaluation: Sculpture assignments will be evaluated by critique session.
Students must participate in critiques. Each assignment will be evaluated
both in terms of the specific set-problem and in general art criteria.
Each project will have essentially equal weight in determining the course
grade unless otherwise noted by the instructor. Any book reports, quizzes,
tests and papers assigned will be factors in determining the course grade.
Relative weight given to these will be determined by the instructor. See
the attached "Grading Method" sheet.
STUDENTS WILL BE EXPECTED TO PROVIDE THEMSELVES WITH A BASIC SET OF HAND
TOOLS AND SAFETY EQUIPMENT AS THE INSTRUCTOR DIRECTS.
STUDENTS NOT PROPERLY EQUIPPED (MATERIALS/TOOLS) WILL BE COUNTED AS ABSENT
EVEN THOUGH THEY MAY BE PHYSICALLY PRESENT.
STUDENTS WILL BE EXPECTED TO PAY A STUDIO FEE TO COVER EXPENDABLE MATERIALS.
DISABILITY STATEMENT
If you are registered with the Office of Services for Individuals with
Disabilities, please make an appointment with the course instructor to
discuss any academic accommodations you need. If you need academic accommodations
and are not registered with the Office of Services for Individuals with
Disabilities, please contact the Office directly either in person on the
first floor of the Turley House or by telephone at (859) 622 1500 V/TTY.
Upon individual request this syllabus can be made available in alternative
forms.
ACADEMIC INTEGRITY
Students are advised that EKU's Academic Integrity
Policy will strictly be enforced in this course. The Academic Integrity
policy is available at <www.academicintegrity.eku>.
Questions regarding the policy may be directed to the Office of Academic
Integrity.
*******************************************************************************************
Course Syllabus – ART 423 – FALL 2008
INSTRUCTOR: E. Carroll Hale
I. Art 423,Advanced Sculpture. Three credit
hours
II. Prerequisites: Art 322 for six hours and admission to BFA program.
III. Course Description: The student's sculptural directions are defined
and directed at the advanced level through individually tailored extended
projects.
IV. Texts and Materials:
No text. The instructor may require supplemental textual material.
Tools and materials/supplies are required as directed by the instructor.
(The tools and materials needed will vary depending
on the nature of student initiated projects.)
V. Objectives - General:
1. To foster an understanding of sculpture at the advanced level.
Objectives - Specific:
1. To provide a continuing understanding of sculpture based on the personal
interests of the student.
2. To direct the student's exploration of sculpture.
3. To aid the student in developing a personal idiom in their sculptural
expression.
4. To assist the student in the preparation of a portfolio. To this end,
the student will be expected to make a photographic record of their work
and write explicatory statements.
VI. Activities and/or Procedures (in no particular order):
1. Each student will, with the consent of the instructor, formulate a
series of sculptural projects exploring their individual interests.
2. A suitable amount of instruction and work time will be provided for
the development of these projects
3. Periodic critiques will be made of the projects as they evolve and
are completed.
VII. Course Calendar: Course calendars will be customized for each semester.
VIII. Course Requirements: Completion of all assignments, tests and quizzes
given is necessary for a passing grade. The student may be required to
attend art exhibits and lectures outside of normal class time. The student
must provide him/herself with materials and equipment as directed by the
instructor. Studio time outside of scheduled class meetings is required.
IX. Attendance Policy: The Art Department's attendance policy is in effect.
Its major provision; 15% absences (excused or not) automatically result
in an "F".
X. Evaluation: Sculpture assignments will be evaluated by critique session.
Students must participate in critiques. Each assignment will be evaluated
both in terms of the specific set-problem and in general art criteria.
Each project will have essentially equal weight in determining the course
grade unless otherwise noted by the instructor. Any book reports, quizzes,
tests and papers assigned will be factors in determining the course grade.
Relative weight given to these will be determined by the instructor. See
the attached "Grading Method" sheet.
STUDENTS WILL BE EXPECTED TO PROVIDE THEMSELVES WITH A BASIC SET OF HAND
TOOLS AND SAFETY EQUIPMENT AS THE INSTRUCTOR DIRECTS.
STUDENTS NOT PROPERLY EQUIPPED (MATERIALS/TOOLS) WILL BE COUNTED AS ABSENT
EVEN THOUGH THEY MAY BE PHYSICALLY PRESENT.
STUDENTS WILL BE EXPECTED TO PAY A STUDIO FEE TO COVER EXPENDABLE MATERIALS.
DISABILITY STATEMENT
If you are registered with the Office of Services for Individuals with
Disabilities, please make an appointment with the course instructor to
discuss any academic accommodations you need. If you need academic accommodations
and are not registered with the Office of Services for Individuals with
Disabilities, please contact the Office directly either in person on the
first floor of the Turley House or by telephone at (859) 622 1500 V/TTY.
Upon individual request this syllabus can be made available in alternative
forms.
ACADEMIC INTEGRITY
Students are advised that EKU's Academic Integrity
Policy will strictly be enforced in this course. The Academic Integrity
policy is available at <www.academicintegrity.eku>. Questions regarding the policy
may be directed to the Office of Academic Integrity. .
******************************************************************************************
Course Syllabus – ART 424 – FALL 2008
INSTRUCTOR: E. Carroll Hale
I. Art 424, B.F.A. Sculpture. Three credit hours
II. Prerequisites: Art 423 and approval of BFA committee. Corequisite:
Art 499
III. Course Description: Final (exit) course in the B.F.A. Sculpture
Area with emphasis on professional development. Course includes preparation
for senior show, writing of senior thesis and portfolio assembly.
IV. Texts and Materials:
No text. The instructor may require supplemental textual material.
Tools and materials/supplies are required as directed by the nature of
the sculptural enterprise.
V. Objectives - General:
1. To provide a culminating and refining experience in the student's undergraduate
sculpture studies.
2. To serve as a platform from which to move on into a professional art
career or further studies at the graduate level.
Objectives - Specific:
1. To prepare and finish work for the senior (B.F.A.) Exhibition.
2. To create a slide portfolio and/or web site in conjunction with a resume.
3. Investigate possible commercial sculpture careers and graduate school
programs.
VI. Activities and/or Procedures (in no particular order):
1. The student will, with the guidance of the instructor, organize projects
in order to realize the goals of this course.
2. The instructor will tailor instruction to meet the unique needs of
the individual student.
3. Periodic critiques will be made of the projects as they evolve and
are completed.
VII. Course Calendar: Course calendars will be customized for each semester.
VIII. Course Requirements: Completion of all assignments, tests and quizzes
given is necessary for a passing grade. The student may be required to
attend art exhibits and lectures outside of normal class time. The student
must provide him/herself with materials and equipment as directed by the
instructor. Studio time outside of scheduled class meetings is required.
IX. Attendance Policy: The Art Department's attendance policy is in effect.
Its major provision; 15% absences (excused or not) automatically result
in an "F".
X. Evaluation: The level of success evident in student preparation for
the senior show, the writing of a senior thesis or artist’s statement,
and portfolio assembly will be the major factors in determining the course
grade. Any sculpture projects, book reports, quizzes, tests and papers
assigned will be factors in determining the course grade. Relative weight
given to these will be determined by the instructor. (Sculpture assignments
will be evaluated by critique sessions in which the student must participate).
All assignments will be evaluated both in terms of the specific set-problem
and in general art criteria. See the attached "Grading Method"
sheet.
STUDENTS WILL BE EXPECTED TO PROVIDE THEMSELVES WITH A BASIC SET OF HAND
TOOLS AND SAFETY EQUIPMENT AS THE INSTRUCTOR DIRECTS.
STUDENTS NOT PROPERLY EQUIPPED (MATERIALS/TOOLS) WILL BE COUNTED AS ABSENT
EVEN THOUGH THEY MAY BE PHYSICALLY PRESENT.
STUDENTS WILL BE EXPECTED TO PAY A STUDIO FEE TO COVER EXPENDABLE MATERIALS.
DISABILITY STATEMENT
If you are registered with the Office of Services for Individuals with
Disabilities, please make an appointment with the course instructor to
discuss any academic accommodations you need. If you need academic accommodations
and are not registered with the Office of Services for Individuals with
Disabilities, please contact the Office directly either in person on the
first floor of the Turley House or by telephone at (859) 622 1500 V/TTY.
Upon individual request this syllabus can be made available in alternative
forms.
ACADEMIC INTEGRITY
Students are advised that EKU's Academic Integrity
Policy will strictly be enforced in this course. The Academic Integrity
policy is available at <www.academicintegrity.eku>. Questions regarding the policy
may be directed to the Office of Academic Integrity.
*****************************************************************************************
Course Syllabus - Art 820 – FALL 2008
INSTRUCTOR: E. Carroll Hale
I. ART 820, Graduate Sculpture. Three credit hours.
II. Prerequisites: Six hours of work in sculpture or the consent of the
instructor.
III. Course Description: A graduate level course directed towards the
development of individual approaches to sculpture.
IV. Texts and Materials:
1. Text: There is no specific text for this course. However, specific
textual materials may be suggested or required as the instructor decides
is necessary.
2. Tools and materials: Small items such as hammers, pliers, etc., will
be provided by the student. The student will have access to such sculpture
department tools, equipment and materials as the instructor deems necessary.
(Tools and materials needed will vary depending
on the choice of projects.)
V. Objectives - General:
1. To develop the student's skills and abilities in sculpture.
2. To provide for the expression of the student's individuality through
sculpture.
3. To orient the student towards sculptural performance commensurate with
graduate level standards.
Objectives - Specific:
1. This course is "tailored" to the unique blend of abilities
and personal direction in each student. Therefore, specific objectives
will be set for each student after consultation.
VI. Activities and/or Procedures (in no particular order):
1. Initial projects/problems in the course will be determined primarily
by the student's goals in consultation with the instructor. As the instructor
gains familiarity with the student's abilities the orientation/organization
of the course may be changes as the instructor deems necessary.
2. Specific course activities will be determined when the course is offered
after consultation between the instructor and student(s).
3. The student will be expected to maintain a regular schedule of classroom
attendance devised by the instructor.
VII. Course Calendar: Course calendars will be customized for each semester.
VIII. Course Requirements: Completion of all assignments, tests and quizzes
given is necessary for a passing grade. The student may be required to
attend art exhibits and lectures outside of normal class time. The student
must provide him/herself with materials and equipment as directed by the
instructor. Studio time outside of scheduled class meetings is required.
IX. Attendance Policy: The Art Department's attendance policy is in effect.
Its major provision; 15% absences (excused or not) automatically result
in an "F".
X. Evaluation: Graduate students will be expected to show a greater
level of involvement and participation than that of undergraduates no
matter what their ability level.
Sculpture assignments will be evaluated by critique session. Students
must participate in critiques. Each assignment will be evaluated both
in terms of the specific set-problem and in general art criteria. Each
project will have essentially equal weight in determining the course grade
unless otherwise noted by the instructor. Any book reports, quizzes, tests
and papers assigned will be factors in determining the course grade. Relative
weight given to these will be determined by the instructor. See the attached
"Grading Method" sheet.
STUDENTS WILL BE EXPECTED TO PROVIDE THEMSELVES WITH A BASIC SET OF HAND
TOOLS AND SAFETY EQUIPMENT AS THE INSTRUCTOR DIRECTS.
STUDENTS NOT PROPERLY EQUIPPED (MATERIALS/TOOLS) WILL BE COUNTED AS ABSENT
EVEN THOUGH THEY MAY BE PHYSICALLY PRESENT.
STUDENTS WILL BE EXPECTED TO PAY A STUDIO FEE TO COVER EXPENDABLE MATERIALS.
DISABILITY STATEMENT
If you are registered with the Office of Services for Individuals with
Disabilities, please make an appointment with the course instructor to
discuss any academic accommodations you need. If you need academic accommodations
and are not registered with the Office of Services for Individuals with
Disabilities, please contact the Office directly either in person on the
first floor of the Turley House or by telephone at (859) 622 1500 V/TTY.
Upon individual request this syllabus can be made available in alternative
forms.
ACADEMIC INTEGRITY
Students are advised that EKU's Academic Integrity
Policy will strictly be enforced in this course. The Academic Integrity
policy is available at <www.academicintegrity.eku>.
Questions regarding the policy may be directed to the Office of Academic
Integrity.
GO TO HALE
|